Edward Lear, Pl. 271 White Crane, hand-colored lithograph, Birds of Europe, 1832–37
Acquire a highly coveted work by Edward Lear, Plate 271, White Crane, Grus leucogeranus Temm.), a masterful hand-colored lithograph from John Gould’s Birds of Europe, available this week only at a special price. The current name for this species is Siberian Crane, Leucogeranus leucogeranus, Bonaparte.
Gould provides the following text description of this species to accompany the plate,
This splendid species of crane having been lately added to the European Fauna, we have deemed it necessary to include it in the present work, and have accordingly figured it from a beautiful specimen of the make presented to us by M. Temminck [Dutch zoologist Coenraad jacob Temminck, 1778–1858], who in a letter accompanying it states that it is one of rarest among the European birds. Its native habitat is doubtless the northern and central portions of Asia, whence its range is extended even to japan, where it is common.. the only European localities in which it has yet been observed are the most easterly portions of the continent.
In size this species exceeds the Common Crane, and independently of its snow-white coloring, it also differs from that species in its much longer bill.
Snails, frogs, the fry and ova of fishes, small crustacea and bulbous roots are said to constitute its food.
The whole of the plumage, with the exception of the primaries, which are brown, is pure white; part of the head red; bill greenish; legs and feet black.
John Gould’s monumental Birds of Europe, was originally published in 22 parts from 1832 to 1837. It comprises 448 hand-colored folio-size lithographs in five volumes. The five volumes were classed according to a system designed by the zoologist and politician, Nicholas Aylward Vigors (1785–1840). Vigors co-founded the London Zoological Society in 1826. One of the great ornithological artists of his era, 67 of the plates and many of the foregrounds were drawn and lithographed by Edward Lear. The balance of the plates were drawn and lithographed by Gould’s talented wife, Elizabeth Coxen Gould, from sketches by John Gould.
Drawn from nature at one-third of the natural size, and signed and dated 1837 in the stone, Edward Lear's characteristically elegant and exacting portrait is of an adult male specimen. Superb color and condition, printed by C. Hullmandel and colored by Gabriel Bayfield in London, 1832–1837. Sheet size approximately 21.5 x 14.5 inches.
$6,550 this week only (list price $9,500). Offer expires 8-14-17.
John Gould (1804–81) was a prolific publisher of ornithological subjects. In 19th-century Europe, his name was as well recognized as Audubon’s was in North America. Unlike Audubon, whose life’s work focused on one region, Gould traveled widely and employed other artists to help create his lavish, hand-colored lithographic folios.
Gould’s love of natural history was fostered in the gardens of King George III where his father was chief gardener at Windsor Castle. Although trained as a gardener, Gould’s interests quickly evolved, and at the age of 23, Nicholas Vigors hired him to work as a taxidermist to the Zoological Society of London. After three years, he progressed to the position of curator of birds and chief taxidermist. In 1830, newly married, Gould and his artist wife, Elizabeth, began their publishing career. During his lengthy career, Gould published over forty volumes comprising nearly 3,000 large folio ornithology plates of species from around the world.
Born outside London in 1812, Lear was the twentieth child of Jeremiah Lear, a well-to-do London stockbroker. He was raised primarily by his elder sister, Ann, who provided classical studies and taught him to draw from nature. The multi-talented Edward Lear (1804–1888) was a self-taught naturalist and painter who later became famous for authoring books of nonsense poems and limericks. About 1828, Lear worked as a zoological draftsman, gaining employment at the Zoological Society in London where he met John Gould, one of the great 19th-century publishers of natural history monographs.
Lear also contributed nine of the 34 plates that comprised Gould’s A Monograph of the Family of Toucans. Lear’s exacting and masterly skill as an artist was employed by other major publishers of 19th-century English ornithologies and natural histories. His work is distinguished by the fact that he was the first bird artist to draw primarily from living examples, recording not only the precise details of the birds he painted, but also expressing each ornithological subject’s unique character. The plates Lear contributed to John Gould’s Birds of Europe are among the finest of that work. These rare, beautifully hand-colored plates are signed by Lear in the lithographic stone.
For further information or to purchase, please call the gallery at 312-642-5300